Most-Read Full-Text Articles http://jrma.oupjournals.org/ Most-Read Full-Text Articles 2008-08-08 <![CDATA[Monumental Musicology]]> http://jrma.oupjournals.org/cgi/content/short/132/2/349?rss=1&ssource=mfc Jan 1, 2007; 132:349-374
]]> Gary Tomlinson 2007-01-01 Oxford University Press <![CDATA[Music and Philosophy: The Enlightenment and Beyond]]> http://jrma.oupjournals.org/cgi/content/short/133/1/128?rss=1&ssource=mfc Jan 1, 2008; 133:128-143
Review Articles]]> Stephen Rumph 2008-01-01 Oxford University Press <![CDATA[Schumann: A Lover's Guide]]> http://jrma.oupjournals.org/cgi/content/short/133/1/144?rss=1&ssource=mfc Jan 1, 2008; 133:144-155
Review Articles]]> Laura Tunbridge 2008-01-01 Oxford University Press <![CDATA[Is There Only Juan Brahms?]]> http://jrma.oupjournals.org/cgi/content/short/131/1/160?rss=1&ssource=mfc Jan 1, 2006; 131:160-175
Review Articles]]> Roger Moseley 2006-01-01 10.1093/jrma/fkl007 Oxford University Press <![CDATA['The Song Unsung': Luigi Nono's Il canto sospeso]]> http://jrma.oupjournals.org/cgi/content/short/131/1/83?rss=1&ssource=mfc Jan 1, 2006; 131:83-150
Articles]]> Carola Nielinger 2006-01-01 10.1093/jrma/fkl001 Oxford University Press <![CDATA[The Fandango Scene in Mozart's Le nozze di Figaro]]> http://jrma.oupjournals.org/cgi/content/short/133/1/69?rss=1&ssource=mfc Jan 1, 2008; 133:69-92
Articles]]> Dorothea Link 2008-01-01 Oxford University Press <![CDATA['Per mia particolare devotione': Orlando di Lasso's Lagrime di San Pietro and Catholic Spirituality in Counter-Reformation Munich]]> http://jrma.oupjournals.org/cgi/content/short/132/2/167?rss=1&ssource=mfc Jan 1, 2007; 132:167-220
Articles]]> Alexander J. Fisher 2007-01-01 10.1093/jrma/fkm006 Oxford University Press <![CDATA[Moving Beyond Motion: Metaphors for Changing Sound]]> http://jrma.oupjournals.org/cgi/content/short/128/2/297?rss=1&ssource=mfc Feb 1, 2003; 128:297-318
Articles]]> Robert Adlington 2003-02-01 10.1093/jrma/128.2.297 Oxford University Press <![CDATA[Arresting Boulez: Post-war modernism in context]]> http://jrma.oupjournals.org/cgi/content/short/129/1/161?rss=1&ssource=mfc Jan 1, 2004; 129:161-176
Articles]]> Ben Parsons 2004-01-01 10.1093/jrma/129.1.161 Oxford University Press <![CDATA[Masks, Minuets and Murder: Images of Italy in Leoncavallo's Pagliacci]]> http://jrma.oupjournals.org/cgi/content/short/133/1/32?rss=1&ssource=mfc Jan 1, 2008; 133:32-68
Articles]]> Laura Basini 2008-01-01 Oxford University Press <![CDATA[The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz]]> http://jrma.oupjournals.org/cgi/content/short/132/1/141?rss=1&ssource=mfc Jan 1, 2007; 132:141-164
]]> Suzannah Clark 2007-01-01 10.1093/jrma/fkm002 Oxford University Press <![CDATA[German Expressionist Opera, 1910-1935]]> http://jrma.oupjournals.org/cgi/content/short/95/1/41?rss=1&ssource=mfc Jan 1, 1968; 95:41-53
Articles]]> ELAINE PADMORE 1968-01-01 10.1093/jrma/95.1.41 Oxford University Press <![CDATA[Musical Decay: Luciano Berio's Rendering and John Cage's Europera 5]]> http://jrma.oupjournals.org/cgi/content/short/125/1/93?rss=1&ssource=mfc Jan 1, 2000; 125:93-114
Articles]]> DAVID METZER 2000-01-01 10.1093/jrma/125.1.93 Oxford University Press <![CDATA[The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV]]> http://jrma.oupjournals.org/cgi/content/short/124/2/157?rss=1&ssource=mfc Feb 1, 1999; 124:157-195
Articles]]> BONNIE J. BLACKBURN 1999-02-01 10.1093/jrma/124.2.157 Oxford University Press <![CDATA[Claver Morris, an Early Eighteenth-Century English Physician and Amateur Musician Extraordinaire]]> http://jrma.oupjournals.org/cgi/content/short/133/1/93?rss=1&ssource=mfc Jan 1, 2008; 133:93-127
Articles]]> H. Diack Johnstone 2008-01-01 Oxford University Press <![CDATA[Reforming Johannes: Brahms, Kreisler Junior and the Piano Trio in B, Op. 8]]> http://jrma.oupjournals.org/cgi/content/short/fkm004v1?rss=1&ssource=mfc Jan 1, 2007; 132:252-305
Articles]]> Roger Moseley 2007-01-01 Oxford University Press <![CDATA[Reviews]]> http://jrma.oupjournals.org/cgi/content/short/123/1/115?rss=1&ssource=mfc Jan 1, 1998; 123:115-121
Articles]]> Michael Struck 1998-01-01 10.1093/jrma/123.1.115 Oxford University Press <![CDATA[A Hungarian Patriot in American Exile: Bela Bartok and Emigre Politics]]> http://jrma.oupjournals.org/cgi/content/short/130/2/283?rss=1&ssource=mfc Jan 1, 2005; 130:283-301
Articles]]> Nandor F. Dreisziger 2005-01-01 10.1093/jrma/fki013 Oxford University Press <![CDATA[Beyond Anachronism: Orchestras and Orchestration in the Twenty-First Century]]> http://jrma.oupjournals.org/cgi/content/short/130/2/302?rss=1&ssource=mfc Jan 1, 2005; 130:302-326
Review Articles]]> Peter Walls 2005-01-01 10.1093/jrma/fki011 Oxford University Press <![CDATA[The Dent Medal]]> http://jrma.oupjournals.org/cgi/content/short/133/1/156?rss=1&ssource=mfc Jan 1, 2008; 133:156-158
Review Articles]]> 2008-01-01 Oxford University Press <![CDATA[A la recherche du vrai Socrate]]> http://jrma.oupjournals.org/cgi/content/short/133/1/1?rss=1&ssource=mfc Jan 1, 2008; 133:1-31
Articles]]> Pietro Dossena 2008-01-01 Oxford University Press <![CDATA[Mahler, Victim of the 'New' Anti-Semitism]]> http://jrma.oupjournals.org/cgi/content/short/127/1/72?rss=1&ssource=mfc Jan 1, 2002; 127:72-94
Articles]]> Edward F. Kravitt 2002-01-01 10.1093/jrma/127.1.72 Oxford University Press <![CDATA[The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France]]> http://jrma.oupjournals.org/cgi/content/short/129/1/24?rss=1&ssource=mfc Jan 1, 2004; 129:24-76
Articles]]> Jann Pasler 2004-01-01 10.1093/jrma/129.1.24 Oxford University Press <![CDATA[TROUBLE IN ARCADIA: MUSIC AESTHETICS AND THE BOUNDS OF CULTURE]]> http://jrma.oupjournals.org/cgi/content/short/124/1/134?rss=1&ssource=mfc Jan 1, 1999; 124:134-152
Articles]]> Anthony Pryer 1999-01-01 10.1093/jrma/124.1.134 Oxford University Press <![CDATA['Everybody wants to be Pavarotti': The Experience of Music for Performers and Audience at a Gilbert and Sullivan Festival]]> http://jrma.oupjournals.org/cgi/content/short/129/1/143?rss=1&ssource=mfc Jan 1, 2004; 129:143-160
Articles]]> Stephanie E. Pitts 2004-01-01 10.1093/jrma/129.1.143 Oxford University Press <![CDATA[Review: Britten's Ambiguities; Tippett's Times; Metzer's Borrowings: Philip Rupprecht, Britten's Musical Language * David Clarke, The Music and Thought of Michael Tippett: Modern Times and Metaphysics * David Metzer, Quotation and Cultural Meaning in Twentieth-Century Music]]> http://jrma.oupjournals.org/cgi/content/short/129/2/305?rss=1&ssource=mfc Feb 1, 2004; 129:305-323
Articles]]> David Beard 2004-02-01 10.1093/jrma/129.2.305 Oxford University Press <![CDATA[A Garland of Songs for a Nation of Singers: An Episode in the History of Russia, the Herderian Tradition and the Rise of Baltic Nationalism]]> http://jrma.oupjournals.org/cgi/content/short/130/2/197?rss=1&ssource=mfc Jan 1, 2005; 130:197-235
Articles]]> Kevin C. Karnes 2005-01-01 Oxford University Press <![CDATA[Twentieth-Century (Light-)Blues]]> http://jrma.oupjournals.org/cgi/content/short/130/2/327?rss=1&ssource=mfc Jan 1, 2005; 130:327-339
Review Articles]]> Robin Holloway 2005-01-01 10.1093/jrma/fki014 Oxford University Press <![CDATA['So to the wood went I': Politicizing the Greenwood in Two Songs by John Dowland]]> http://jrma.oupjournals.org/cgi/content/short/132/2/221?rss=1&ssource=mfc Jan 1, 2007; 132:221-251
Articles]]> Kirsten Gibson 2007-01-01 Oxford University Press <![CDATA[WAGNER AND LISZT CORRESPONDENCE]]> http://jrma.oupjournals.org/cgi/content/short/14/1/119?rss=1&ssource=mfc Jan 1, 1887; 14:119-143
Articles]]> J.S. SHEDLOCK B.A. 1887-01-01 10.1093/jrma/14.1.119 Oxford University Press <![CDATA[WHAT IS SOUND? THE SUBSTANTIAL THEORY VERSUS THE WAVE THEORY OF ACOUSTICS]]> http://jrma.oupjournals.org/cgi/content/short/16/1/103?rss=1&ssource=mfc Jan 1, 1889; 16:103-148
Articles]]> GEORGE ASHDOWN AUDSLEY 1889-01-01 10.1093/jrma/16.1.103 Oxford University Press <![CDATA[Monumental Musicology]]> http://jrma.oupjournals.org/cgi/content/short/fkm009v1?rss=1&ssource=mfc Jan 1, 2007; 132:349-374
]]> Gary Tomlinson 2007-01-01 Oxford University Press <![CDATA[The Language-Character of Music: Some Motifs in Adorno]]> http://jrma.oupjournals.org/cgi/content/short/116/2/267?rss=1&ssource=mfc Jan 1, 1991; 116:267-279
Articles]]> MAX PADDISON 1991-01-01 10.1093/jrma/116.2.267 Oxford University Press <![CDATA[Re-Reading Poppea: Some Thoughts on Music and Meaning in Monteverdi's Last Opera]]> http://jrma.oupjournals.org/cgi/content/short/122/2/173?rss=1&ssource=mfc Feb 1, 1997; 122:173-204
Articles]]> TIM CARTER 1997-02-01 10.1093/jrma/122.2.173 Oxford University Press <![CDATA[THE IMAGINED MIDDLE AGES]]> http://jrma.oupjournals.org/cgi/content/short/124/2/271?rss=1&ssource=mfc Feb 1, 1999; 124:271-283
Articles]]> Emma Dillon 1999-02-01 10.1093/jrma/124.2.271 Oxford University Press <![CDATA['Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger]]> http://jrma.oupjournals.org/cgi/content/short/125/2/271?rss=1&ssource=mfc Feb 1, 2000; 125:271-286
Articles]]> AMANDA GLAUERT 2000-02-01 10.1093/jrma/125.2.271 Oxford University Press <![CDATA[Over the Rainbow? On the quest for 'the social' in musical analysis: The Music of Harrison Birtwistle]]> http://jrma.oupjournals.org/cgi/content/short/127/1/130?rss=1&ssource=mfc Jan 1, 2002; 127:130-146
Articles]]> Peter J. Martin 2002-01-01 10.1093/jrma/127.1.130 Oxford University Press <![CDATA[Thomas Morell and his Letter about Handel]]> http://jrma.oupjournals.org/cgi/content/short/127/2/191?rss=1&ssource=mfc Feb 1, 2002; 127:191-225
Articles]]> Ruth Smith 2002-02-01 10.1093/jrma/127.2.191 Oxford University Press <![CDATA[Review Article: Eco-Musicology]]> http://jrma.oupjournals.org/cgi/content/short/127/2/305?rss=1&ssource=mfc Feb 1, 2002; 127:305-320
Articles]]> Alexander Rehding 2002-02-01 10.1093/jrma/127.2.305 Oxford University Press <![CDATA[A Serial Passage of Diatonic Ancestry in Stravinsky's The Flood]]> http://jrma.oupjournals.org/cgi/content/short/129/2/220?rss=1&ssource=mfc Feb 1, 2004; 129:220-239
Articles]]> Lynne Rogers 2004-02-01 10.1093/jrma/129.2.220 Oxford University Press <![CDATA[Avant-Gardism, the 'Long 1960s' and Jazz Historiography]]> http://jrma.oupjournals.org/cgi/content/short/131/2/331?rss=1&ssource=mfc Jan 1, 2006; 131:331-349
]]> Gabriel Solis 2006-01-01 Oxford University Press <![CDATA[THE VIOLS IN ENGLAND]]> http://jrma.oupjournals.org/cgi/content/short/47/1/1?rss=1&ssource=mfc Jan 1, 1920; 47:1-21
Articles]]> JEFFREY PULVER 1920-01-01 10.1093/jrma/47.1.1 Oxford University Press <![CDATA[The Mechanisms of the Music Trade in Central Germany, 1600-40]]> http://jrma.oupjournals.org/cgi/content/short/130/1/1?rss=1&ssource=mfc Jan 1, 2005; 130:1-37
Articles]]> Stephen Rose 2005-01-01 10.1093/jrma/fki004 Oxford University Press <![CDATA[John Knox Bokwe, Colonial Composer: Tales about Race and Music]]> http://jrma.oupjournals.org/cgi/content/short/131/1/1?rss=1&ssource=mfc Jan 1, 2006; 131:1-37
Articles]]> Grant Olwage 2006-01-01 Oxford University Press <![CDATA[ON FORM IN MUSICAL COMPOSITION]]> http://jrma.oupjournals.org/cgi/content/short/5/1/131?rss=1&ssource=mfc Nov 4, 1878; 5:131-153
Articles]]> CHARLES E. STEPHENS 1878-11-04 10.1093/jrma/5.1.131 Oxford University Press <![CDATA[The Blackfriars Plays and their Music: 1576-1610]]> http://jrma.oupjournals.org/cgi/content/short/87/1/57?rss=1&ssource=mfc Jan 1, 1960; 87:57-68
Articles]]> KATHARINE E. EGGAR 1960-01-01 10.1093/jrma/87.1.57 Oxford University Press <![CDATA[Aspects of the 'L'Homme arme' Tradition]]> http://jrma.oupjournals.org/cgi/content/short/100/1/97?rss=1&ssource=mfc Jan 1, 1973; 100:97-122
Articles]]> LEWIS LOCKWOOD 1973-01-01 10.1093/jrma/100.1.97 Oxford University Press <![CDATA[The Keyboard Suites of Gottlieb Muffat (1690-1770)]]> http://jrma.oupjournals.org/cgi/content/short/102/1/83?rss=1&ssource=mfc Jan 1, 1975; 102:83-91
Articles]]> SUSAN WOLLENBERG 1975-01-01 10.1093/jrma/102.1.83 Oxford University Press <![CDATA[Ballads and Britons: Imagined Community and the Continuity of 'English' Opera]]> http://jrma.oupjournals.org/cgi/content/short/122/1/24?rss=1&ssource=mfc Jan 1, 1997; 122:24-51
Articles]]> SUZANNE ASPDEN 1997-01-01 10.1093/jrma/122.1.24 Oxford University Press <![CDATA[Pulp, Pornography and Spectatorship: Subject Matter and Subject Position in Pulp's This is Hardcore]]> http://jrma.oupjournals.org/cgi/content/short/126/1/83?rss=1&ssource=mfc Jan 1, 2001; 126:83-106
Articles]]> Nicola Dibben 2001-01-01 10.1093/jrma/126.1.83 Oxford University Press